Inspired by J.L. Moreno’s concept of the ‘therapeutic soliloquy’, the performance is centred around an hour-long stream-of-consciousness monologue, in which autobiographical fragments are shared out loud as a means of exploring and processing accumulated experience. The choreography combines dance with exercises from therapeutic practices such as TRE (Trauma & Tension Release Exercises), a practice believes that humans store trauma in the body’s deep tissue which can be released through inducing involuntary tremors.
As bell hooks writes, ‘to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving.’
Premiered at Cabaret Voltaire, Zurich as part of “Are we bodies?” curated by Vlada Maria Tcharyeva.
